[156][nb 9], Martin's Bach-inspired piano solo was overdubbed in the Beatles' absence,[157] over a section that they had left empty. And that's good – that's when you trust the people who make music to take you somewhere you haven't been before. [147] Riley likens the musical arrangement to a "scene from the old world" and he concludes of the song: "The old-fashioned atmosphere conveys desire and deception, and Lennon sings it as much to console himself as to make sense of its bewildering proportions ('And she promises the earth to me and I believe her/After all this time I don't know why'). [16] Author Mark Prendergast describes Rubber Soul as "the first Beatles record which was noticeably drug-influenced". Ringo Starr described it as "the departure record" and said that the music was informed by the band members "expanding in all areas of our lives, opening up to a lot of different attitudes". "[285] In the 2004 edition of The Rolling Stone Album Guide, Rob Sheffield recognises Help! For the first time in their career, the band were able to record an album free of concert, radio or film commitments. In doing so, Rodriguez continues, the Byrds had joined the Beatles and Dylan in "a common pool of influence exchange, where each act gave and took from the other in equal measure". This includes pressing and packaging and Pure Music has many packages available to fit both your budget and project needs. View credits, reviews, tracks and shop for the 1966 Sandwich cover Vinyl release of Rubber Soul on Discogs. [23] Martin later described Rubber Soul as "the first album to present a new, growing Beatles to the world",[24] adding: "For the first time we began to think of albums as art on their own, as complete entities. He adds that Rubber Soul is "full of great tunes" from Lennon and McCartney notwithstanding their divergence from a common style, and demonstrates that Harrison "was also developing into a fine songwriter". After A Hard Day's Night in 1964, it was the second Beatles LP to contain only original material. [220] The following week it replaced the Sound of Music soundtrack at the top of the chart,[221] where it remained for eight weeks in total. “Loud Cut” matrces: XEX 579-1 & XEX 580-1. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". from folk-rock and beyond". '"[148], Like "You Won't See Me" and "We Can Work It Out", "I'm Looking Through You" focuses on McCartney's troubled relationship with Asher. According to Riley, the album reflects "a new affection for recording" over live performance. [163] MacDonald writes that, although Lennon and McCartney would most likely have viewed the subject matter as dated even in June, the group's performance gives the song the required "drive and character" for Rubber Soul, particularly Starr's approach to the rhythm changes between its contrasting sections. [300] Christopher Bray describes it as "the album that proved that rock and roll could be suitable for adult audiences", "the first long-playing pop record to really merit the term 'album'" and the LP that "turned pop music into high art". [222][nb 15] In the United States, Rubber Soul topped the Billboard Top LPs chart on 8 January 1966,[226] having sold 1.2 million copies there within nine days of release. [63], Lennon, McCartney and Harrison's three-part harmony singing was another musical detail that came to typify the Rubber Soul sound. [309] According to Sculatti, Rubber Soul was "the definitive 'rock as art' album, revolutionary in that it was a completely successful creative endeavor integrating with precision all aspects of the creative (rock) process – composition of individual tracks done with extreme care, each track arranged appropriately to fit beside each other track, the symmetrical rock 'n' roll album". [247] "Michelle" became one of the most widely recorded of all the Beatles' songs,[249] while cover versions of "Girl", "If I Needed Someone" and "Nowhere Man" similarly placed on UK or US singles charts in 1966. [27][201] The "Day Tripper" / "We Can Work It Out" single was also released that day[202] and was the first example of a double A-side single in Britain.
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