What they said at the time: “A stunning reminder of what pop’s been missing all these years.” Rolling Stone. What they said at the time: “Within the grooves of Grace, you get Heaven and Hell and everything in between.” Sounds. Capturing its moment perfectly, Scary Monsters (And Super Creeps) saw David Bowie return in triumph. And that was Pyromania. Enabled by producer Brian Eno, Remain In Light was a dazzling display of looped grooves and dextrous musicianship, from the frazzled art funk of Crosseyed And Painless to the mesmeric, near-psychedelic Houses In Motion. There’s comedy in Cohen’s misery and we feel it, too. And it all comes with instrumentation that is subtle, yet textured perfectly. A re-recording of the title track of their debut album, We Care A Lot, earned FNM their first bit of radio/MTV play, the title track was their most explosive yet, while Martin’s guitar was front-and-centre on The Crab Song. 11. Dave didn’t like it and he said so. Talking Heads – “Burning Down the House”. didn’t invent gangsta rap. Here they swished between retro-futuristic synth pop (Radio Gaga), balls-out rockers (Hammer To Fall, Tear It Up) and perfectly formed chart-pop (I Want To Break Free, It’s A Hard Life). For many, Killing Joke’s eponymous debut would be the ultimate blueprint for heavy music in the post-punk landscape. The complex sounds of “Tom Sawyer” didn’t make it much of a hit upon its release in 1981. Socially conscious rap was born, leading to the careers of Public Enemy, KRS-One, Dead Prez, Mos Def, Common and so many others. “We were afraid he might have bad news to break, but instead David said: ‘You’ve got a great album here and the label’s behind you. Even today, “When Doves Cry” is shocking to listen to with its sharp guitars and pounding drums. The song was the first and only single released from The Cure’s sophomore album “Seventeen Seconds.” Its moody goth-rock became the first indication that The Cure was a different kind of band. And the single Hot Rockin’ came with the most hilariously over-literal heavy rock video of all time. With a nervous smile, Gizzi recalls the precise moment he realised their album was something special. For Bruce Springsteen, the late-80s was a time of partings – from his first wife Julianne Phillips and from the E Street Band – and Tunnel Of Love adroitly turned the focus from the political to the personal. The rules are simple: 1) ONLY One album per band Yeah, we know Guns N’ Roses, Def Leppard, Iron Maiden and the rest made enough great albums between them to make up the entire list, but that would be boring. In a world where pop music has become oversimplified and simplistic (and a lot more like “Billie Jean” than “Purple Rain”), people demand something grander and otherworldly. In many ways, it’s what some people have come to hate about U2. grrbear added Various admirers (U2 and Peter Gabriel included) helped out on Robertson’s debut, issued over a decade after The Band had signed off with The Last Waltz. Based on a mostly baffling concept – but something to do with a midlife crisis – Waters presented this idea to his then-Pink Floyd bandmates in 1977, who rejected it in favour of The Wall. As the story goes, Jett heard the song while on tour in the UK with the Runaways 1976. But “Jack & Diane” has been endlessly copied for its guitar hook, one of the catchiest in music history. High ’N’ Dry had better songs, more energy and vibe and more class. darkness shrouded lyrics, beat poetry rubbed shoulders with keffiyeh-ed Casbah chic, broader horizons lent a cinematic aspect to each musical vignette. Flooded with electric sounds more so than funk, it might be hard to recognize that homage.
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